This teaser for 'Doctor Who' features the original TARDIS

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Time for some sweet retro Doctor Who goodness.

In a teaser for the upcoming Doctor Who Christmas special, we see the Twelfth Doctor (Peter Capaldi) having his TARDIS towed. Luckily the first Doctor (originally William Hartnell but played here by David Bradley) is there with his original, sixties TARDIS.

Oh time-travel, you’re so handy. Read more…

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Free WordPress Page Builder – Qards

You’re reading Free WordPress Page Builder – Qards, originally posted on Designmodo. If you’ve enjoyed this post, be sure to follow on Twitter, Facebook, Google+!

Three years ago, we released Qards, a page builder plugin for WordPress. This year we decided to offer the free version of this plugin, and you can download it directly from WordPress.org plugin directory. About Qards Free Qards Free is a WordPress plugin that allows you to select individual pre-designed content cards (hence the name, […]


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One Who Can See: A Look Back at Josef Albers’ Interaction of Color

Special Advertising Note: The following sponsored content is brought to you courtesy of Yale University Press, one of PRINT’s trusted partners.


If one says ‘Red’ (the name of a color)
and there are 50 people listening,
it can be expected that there will be 50 reds in their minds.
And one can be sure that all these reds will be very different.

So begins Josef Albers’ revolutionary text Interaction of Color. From this first stanza, Albers issues his challenge to consider color not as a science and not as something “safe” for which one can develop a reliable system. He declares that color is a process of discovery. He proclaims it the most relative medium in art. In over 200, beautifully illustrated pages, one finds not a single color wheel nor any other attempt to identify the inherent order of his subject. Much the opposite. Albers believed color could only be understood through a series of increasingly complex interactions. He developed such a method during his tenure at Black Mountain College, work which culminated in 1963 with the publication of the Interaction of Color, a book acclaimed that same year by Howard Sayre Weaver to be a “grand passport to perception.”

With a half century’s distance, the success of Albers’ work seems obvious, but when the Yale University Press took on a collaboration with the artist, a happy outcome was far from certain. Albers was periodically subjected to criticism from some of the best-known critics of his era, and the challenges he issued to the accepted norm would encourage a firestorm of controversy. Even within the Yale community, Albers—a refugee from Nazism—was often viewed with skepticism for being German. Further complicating matters was Albers’s exacting nature and his unusual vision. He foresaw a work that defied the assumptions of his age and a book that was not meant to be read but to be used. Despite the difficulties and despite Albers’ notable character flaws (he shouted at his editors and didn’t speak to Chester Kerr, then director of the Press, for a full year), everyone at the Press dedicated themselves to the creation of a masterpiece. To convey Albers’ radical approach to color, the Press presented his work in a two-volume portfolio set of unbound folders. When the book was finally published, it stood well outside the realm of what any other publisher, academic or otherwise, dared to produce.

The effort resulted in a pioneering text that became more than a collector’s piece. To the great delight of everyone involved in its creation, it became one of the sacred objects of twentieth-century art, and it contributed greatly to Albers’ classification as a master in the pantheon of modernism. It gained wide popularity with students, instructors, and creators, with smaller versions coming out in the decades following the original’s publication to allow the work to be readily afforded by huge masses of people.



Albers was thrilled by this development, for his ambition had been greater than the production of a singular, groundbreaking text. He had hoped to create a new means of learning, teaching, and experiencing art, one not based on pedagogy but on human sensibility and openness. In Dore Ashton’s review in Studio, she recognized that Interaction of Color affirmed Albers’ maxim that “teaching is not a matter of method but of heart.”

Albers was fond of a quote by John Ruskin: “Hundreds of people can talk, for one who can think. But thousands of people can think, for one who can see.” He saw this not as a truism but as a challenge. Interaction of Color was his reply: a book that has altered the lives of readers and expanded the ways colors are used and perceived in all forms of art. But beyond the minds of critics and collectors, Albers’ primary concern was always for the next generation, that they might have an education a step above the color wheels and globes of his own Bauhaus training.

With this truth in mind, Yale University Press, the Albers Foundation, and Potion Media Lab undertook the project of creating a 21st-century iteration of the Interaction of Color: an Award-winning app for the iPad®, which has been described as “The gateway to an entire way of thinking… It will blow your mind” (Liz Stinson, Wired); “Amazing. Beyond groundbreaking” (Debbie Millman, Design Matters); “ Magnificent … an essential piece of visual literacy” (Maria Popova, Brainpickings.org); and “A visionary work” (Malcolm Jones, Newsweek/Daily Beast).


The original dedication page of the Interaction of Color reads,This book is my thanks to my students.” With these words, Albers continues to welcome readers to the adventure and the rare wonder of seeing.

The post One Who Can See: A Look Back at Josef Albers’ Interaction of Color appeared first on Print Magazine.

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Which New Hobby You Should Pick Up In 2018, Based On Your Zodiac Sign

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Image via Shutterstock

Has 2017 been an unfruitful year for you? It’s time to pick yourself up and focus on widening your skillset and building your sense of self.

New year resolutions are hard to keep, but they’ll certainly be easier to commit to if they’re things you enjoy doing.

Alli Hoff Kosik has thus written an article for Bustle that might give you an idea of which hobbies you can try, according to your zodiac sign, in order to make 2018 a more memorable year.

Here’s a breakdown of recommended pastimes for each sign:

Aquarius: Pottery

Pisces: Gardening

Aries: Rock-climbing

Taurus: Scrapbooking

Gemini: Baking

Cancer: Hand-lettering

Leo: Photography

Virgo: Volunteering

Libra: Hiking

Scorpio: Cardio

Sagittarius: Trivia nights

Capricorn: Yoga

Read about six signs and head over to Bustle to learn more.

Aquarius: Pottery

Image by Gifbin via GIPHY

You’re intelligent and creative, and might excel in meditative, artful skills like pottery. The spinning, sculpting, glazing, and painting processes will get you in a reflective mood and help you express your individuality.

Aries: Rock-climbing

Image by Caters Clips via GIPHY

Active hobbies like rock-climbing are a great fit for your dynamic, go-getting personality, and will help you channel all that Aries energy left untapped in the past year.

Gemini: Baking

Image by Rebloggy via GIPHY

As social creatures, Geminis might enjoy honing their baking skills so that they can entertain guests and show friends that they care. What better way to get people together than with food?

Leo: Photography

Image by Daniel Castro via GIPHY

You’re naturally the limelight of any party, but you might be surprised to learn that being behind the camera can be rewarding, too. Leos are ruled by the sun, and your affinity with sunlight will likely make you an ideal outdoor photographer.

Libra: Hiking

Image by James Curran via GIPHY

You seek balance, and often find yourself on a quest to achieving internal and external harmony. Hiking lets you catch a breather, be one with nature, and stay healthy all in one activity.

Sagittarius: Trivia nights

Image by Motion Addicts via GIPHY

You’re spontaneous and are the most likely of the zodiac to travel and explore various cultures. It’s time to start a trivia team, as discovering little tidbits of information can help expand your knowledge of the world.

Check out Bustle to learn about the recommended activities for six more signs.

[via Bustle, images via various sources]

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Daisy Ridley couldn't celebrate properly when she got the 'Star Wars' role

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Imagine missing a call from J.J. Abrams.

As a guest on The Graham Norton Show on Friday, Daisy Ridley shared the story of how she first learned she was going to be in Star Wars

It turns out that after narrowly missing J.J. Abrams’ call, Ridley ducked out of a theatre to learn that she was going to be playing Rey. She couldn’t whoop and spray champagne however, because she had to go back in and finish watching the play.

The worst part? 

“It was a fucking long play,” said Ridley. Read more…

More about Uk, Daisy Ridley, Jj Abrams, Graham Norton Show, and Star Wars The Last Jedi

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Louis Vuitton’s Gift Range Includes Monogrammed Skipping Rope & Table Tennis Set

Louis Vuitton has some rather lavish goods perfectly suited for this holiday season’s stocking stuffers.

Its gift collection features a selection of black monogram accessories including jump rope, a deck of playing cards that comes with a carry pouch, and a set of table tennis paddles plus balls.

Each item includes the label’s black leather “Monogram Eclipse” canvas, hot-stamped LV Circle and LV signatures.

There is a selection of other everyday items for your choosing, including mousepad, playing cards with red accent, brown monogram pouch, pocket mirrors, and pencils.

Head over to Louis Vuitton’s website to view the items.

[via HYPEBEAST, images via Louis Vuitton]

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